Today’s post comes from Tala Gharagozlou, currently a graduate student of architecture at Yale.
i fell in love with the first cute girl that i met/
who could appreciate georges bataille/
standing at swedish festival discussing the ‘story of the eye’
“Bataille’s Dreams Come True”
This was the subject heading of an e-mail from a friend of mine, a couple of days ago, Feb. 9th, 2009.
And of course, there were links to the photos of the CCTV’s unloved sibling immolating.
I was working in the architecture studio and the entire studio was of course abuzz within a few minutes of the event. But the pun on Bataille stuck with me for most of the day. This is after all, Yale University, and nerdy jokes take a strange life of their own.
Photos have been streaming in of this eerily “beautiful” spectacle. Jokes have been flying about what sort of fabulously bombastic manifesto Rem might make of this event, while others are about Ole Scheeren crying in Maggie Cheung’s arms.
Such a hubristic project is easy to mock, especially in the current times of economic gloom.
But after all, the Yale School of Architecture is housed in one of the most emblematic buildings possible: Paul Rudolph’s A&A (I will never get used to the “Paul Rudolph Hall” name, btw. Will anyone ever call the CCTV the Rem Koolhaas Tower?? I doubt it, but Yale is a whole other type of totalitarian regime, thanks to a certain R.A.M.S…).
The burning of the A&A occurred at one of the most intense moments of social turmoil in America and on university campuses. The 1969 fire left the A&A battered, and it only survived due to a series of structural additions. Much has been made of the recent renovation project by Gwathmey/Siegel, but the fire itself remains a small source of fascination, especially because of what some students secretly felt was a justified sign to move on from a certain generation of patriarchs…
In a similar way, people have been wondering out loud if anybody even cared to “save” the CCTV? But as Bataille would put it, what would there be to save? CCTV was there to exist as the only voice. OMA’s pair of buildings has epitomized a certain architecture’s refusal to “serve” society. The CCTV is known as the building that has used the greatest amount of steel ever in history, for example. Its foundations are the size of several football fields (ask Cecil Balmond for the details here).
Architecture can be interpreted as the image society would like to see of itself. But Bataille is fascinated with the Aztec temples [see “Extinct America”]. Fearless of this relation between society and the death of the individual, Aztec architecture is purely dedicated to the immolation of individuals as well. The Aztecs “neglected to put in place the infrastructures that would have secured its future” and their architecture represented that. In many ways, CCTV’s is the symbol of China’s disregard for any idea of progressive institutions and a capacity to heedlessly build its own Capitalist guillotine.
So after all, could Beijing’s inhabitants feel slightly bad about this fire? The spectacle of architecture burning always holds the anxious sign that we can do little to go beyond death.
On a side note, thanks to Sasha Frere-Jones of the New Yorker for making “critical theory a little easier to use on dates.”